ENSEMBLE


CONTRA LOS MUROS (2014/2017-2018), 40’

For amplified ensemble, effect pedals, sampler and live electronics


IN REFLECTION (2017-2018), 10’

For electric guitar and string orchestra


BEFORE / AFTER SOUND (2014), 8’

For six musicians


UNTITLED (2011), 10’

For eight musicians


UNTITLED—NOVEMBER 2011 (2011), 10’

For six musicians


“DOES THE SEA REMEMBER THE WALKER UPON IT?”  (2010), 12’ / Triptych Azul 2 

For orchestra


PUNTO ROSSO SULL’OCEANO (2009), 12’ / Triptych Azul 3a 

For ten musicians


LA MEMORIA DEL AGUA (2007) 14’ / Triptych Azul 1 

For violin, alto and string orchestra


COMO EL AIRE (2007), 10’

For seven musicians


ABISMO Y SILENCIO – HOMENAJE A CHILLIDA (2006), 11’

For cello and ensemble




CHAMBER


BACK TO FORWARD (2017) 12'

For harp and string quartet


TRANFORMATION (2016) 10'

For four cellos


PRESENCE (2015), 15’

For two pianos and two percussions


SULL’OCEANO (2015), 12’ / Triptych Azul 3c 

For sax, piano, percussion


PULSO (2014), 10’

For guitar quartet


BEFORE / AFTER SOUND (2014), 8’

Version for three musicians


MURAL (2013), 15’

For harp, two percussions, live electronics and live video


FOR MALEVICH (2011), 15’

For violin, double bass and live electronics


PUNTO ROSSO (2010), 11’ / Triptych Azul 3b 

For string quartet and live electronics ad libitum


RUMORES DE LÍMITE I : ESCUCHAR EL VIENTO (2008), 8’

For amplified accordion and amplified guitar


RUMORES DE LÍMITE II : ESCUCHAR EL MAR (2014), 10’

For accordion, txistu and three radios


FIVE ANGELS (2005), 14’

For five altos, video and live electronics




SOLO


RADIO BASS (2018) 20'

For amplified voice and double bass, effect pedals and live electronics


COMME DEUX MIROIRS QUI SE REFLÈTENT L’UN L’AUTRE (2018) 3'

For guitar, transducer speaker and tape


NUVENS (2016) 3'

For solo harp


IN RESONANCE (2016) 10’

For electric guitar and live electronics


REBIRTH IN SOUND (2010/rev.2014) 10’

For cello and live electronics


ESQUISSES CIRCULAIRES (2013), 4’

For harp and voice [same musician]


INFINITE WALLS (2012) 12’

For violin and live electronics


CINQ PIÈCES POUR ZARB ET VOIX (2011), 14’

For amplified zarb and voice [same musician]


ECLIPSIS (2008, rev.2010), 8’

For piano, video and live electronics [or solo piano]


SEUL(E) (2009), 7’

For harp and voice [same musician]


DOUBLE (2007), 9’

For vibraphone, live electronics and video [or solo vibraphone]


CANTIGA (2006), 10’

For accordion and tape


FIRE ANGEL (2005), 10’

For alto, video and live electronics




VOCAL


HÖRSPIEL #1 (2017) 15'

For amplified female voice, electric guitar, effect pedals and radio


ILLUMINATIONS (2015-2016), 25’

For soprano, baritone, viola d’amore, viola da gamba, live electronics


MADRIGAL (2015), 10’

For voice, two dancers and live electronics


VOX SCHUMANN (2014), 10’

For four soloists with megaphones, mixed choir and percussion


INFINITO CIRCULAR (2013), 12’

For soprano, harp and zarb


UNITY (2013), 10’

For one amplified voice


ENCORE SEUL(E) (2012), 9’

For male or female voice and five musicians


WOMEN (2009/2013), 60’

Musical theater for soprano, violin, bass clarinet, harp, live electronics and live video


P.A.X. (2008), 10’

For six amplified voices


FÁBULA (2006), 20’

For flute, harp, alto and recitation [texts by Itziar Zubizarreta]




MULTIMEDIA


#ANADEDIA (2017), 20’

Three stereo electronic pieces for the film ‘Ana de Dia’  by Andrea Jaurrieta


RHIZOME (2015), 11’

5.1 channels tape with video by Boris Labbé


INTERFERENCE (2010), 4’20’’

2 channels tape and video


MALEVICH ROOM (2011), 15’

Instalation - 4 channels tape and video

 



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